Monday, April 2, 2012

Nelliepalooza the Fifth

WHEW! March was a bit of a whirlwind with my NYC trip, Spring Break, State Convention in St. Charles, and Nelliepalooza the Fifth to end the month. I am a little glad that I don't have any trips, extra classes or paloozas to organize for a bit!!

Nelliepalooza was such a great time!! We always have tons of yummy food and it is so fun to get crafty and giggly with a bunch of girlfriends. 

This time there were 32 registrants who stayed both nights, that is the most ever! It was amazing!!
Friends don't let friends eat alone --Abby K.
Angela's Glitter shoes

Abby's beautiful wreath and Easter candy topiary!!

Scrapbookers need lots of stuff!

We designed a screen print for the event, and lots of people brought shirts/bags/etc. to print! FUN!



Felted wool fox

Twizzlers is the taste!
The campground is so beautiful!!






What a great group!


Thursday, March 8, 2012

Book Review: Teach Like a Champion

The book is "Teach Like a Champion: 49 Techniques that Put Students on the Path to College" by Doug Lemov the managing director of Uncommon Schools.  I mentioned it a few weeks ago in this post.

For my professional development plan this year, I suggested that I write a book review on my blog so that I could open a dialog with other educators. Since September, I've been reading the book off and on, wherever I could find little snipits of time throughout the school day. I took extensive notes because the book 

If you have read the book, feel free to open a discussion in the comments. Also, if you would like contrasting opinions or additional information about the book, look it up on Amazon to read what other people said about it by clicking here.

After starting the book, I realized that it was written from the perspective of a charter school educator....and I teach at a public school, but I kept an open mind and finished the book anyway.

This book would be a wonderful choice for a new teacher, a teacher who is struggling with classroom management, or someone (like me) who is experienced, but looking to sharpen basic classroom management tools. As a teacher that works with a lot of pre-service teachers, this book gives me a way to describe techniques to my student teachers. I can see where an experienced teacher might scoff at the most basic, almost remedial way that the book describes common classroom management strategies (For instance, popcorn, in the book is renamed 'cold call').

I really loved how the author described on page 12 'good teacher plan activities minute by minute, often scripting them in advance. ' He describes a model teacher planning and memorizing and rehearsing the lesson on the drive to work so that the teacher can better focus on what the students are doing, and not what she is going to do next. My lesson planning is very repetitive and I often have the activities planned down to the minute. I definitely practice my lesson before I teach a new skill for the first time. This is something every new teacher has to learn eventually.

I wrote in my last post about the questioning techniques in the book. Since I tend to do a lot of modeling and demonstrating, I often don't include a lot of questioning in most of my lessons. But my goal this year is to really push for high understanding and more critical thinking as it relates to art.

Next year, I would like to implement more call and response things at the beginning of the year. I will definitely come up with some that relate to art. Like "Why are we here?" "To Learn and Create" or something fun like that. 

This year, I had one of my kindergarten classes practice lining up with a stopwatch. I modeled the appropriate way to line up (this was the middle of the year, and they were still crazy at the end of art!!), how to push in their chair, how to walk with hands in a safe spot to the line, how to stand quietly. Then I had a student show how to do it. Then I had the class practice with a stopwatch, always striving for a better, more perfect time. I think it helped, and now I will keep a stopwatch on hand for such practices!

I really liked number 32, the "SLANT" technique. Smile, (or sit up), Listen, Ask and answer questions, Nod your head, and Track the speaker. I think this would be great to post at the door and use as a reminder at the end of art, have them spell SLANT instead of SMILE....since each letter would actually be a reminder for classroom behavior.

Next year, I would like to implement more seat signals. Non-verbal requests that students often ask for during art with a poster in the room describing these hand signals.

I also really liked technique 35 Props. Public praise, 'two-stomps for...' or 'two claps for....' things that can be cued in one second, the entire thing being finished up in less than 5 seconds. It encourages the activity to be visceral, including claps or stomps; universal, so that everyone can participate, and enthusiastic. A brief, fun break from work.

The book gives some fun examples like 'the lawn mower', 'the roller coaster', and 'hot pepper'. So fun! I would love to create an 'art version' of this for my classroom.

Since starting this book, I've developed a list of big 'NO-NOs' that teachers shouldn't do....and I feel guilty when I notice teachers doing these things in the hall or around the school. One of those things is 'don't waste time explaining what not to do.' 'You need to be all business, be clear, crisp, and stop talking.' 'Do not engage', once you have set the topic, do not engage in others until resolving the initial topic. This is a tough one. Try to resist engaging in 'called-out' answers from students, require hands-up.

One of the things I really appreciated about the book was its constant reminder that it is okay to expect students to do something not just better, but the BEST that they possibly can. From something small, like writing their name neatly, to big things like an important test. We should expect the VERY BEST at all times. Also, the book reminds teachers how much every single minute matters. It is easy to get lazy and zone out while students are doing mundane, every-day things, but it is important to utilize that time effectively for learning.

Also, the book reminded me about 'No Warnings'. Warnings tell students that a small amount of disobedience will not only be tolerated, but is expected. While I won't give up my warnings entirely, it is easy to get relaxed about things when students don't think I will enforce consequences for minor offenses.

The thing I really like about this book, is that it doesn't just tell a new teacher what not to do....it gives specific instructions on powerful methods that will work. For instance, it says not to use contingencies like "I'll wait.....", 'We need you with us", is much more powerful. And I agree.

As an art teacher, I know that what I say about a student's work holds a lot of power. They are constantly looking for a little bit of love, attention, and praise from me. This book describes the power of praise, especially in a classroom built on character and trust. It says, "Praise must be genuine, students often read praise as an indication that their work is inferior. By praising one student in order to 'tell' another one what they should be doing, undercuts the integrity of your praise. It sets the first one up, and jeopardizes the relationship you have. It also does not solve your situation with the other student.

These are things they just don't tell you in college!

Technique 45 discusses warm/strict. You must be caring, funny, warm, concerned and nurturing. But you must ALSO be strict, by the book, relentless, and inflexible AT THE SAME time.

Technique 46 discusses the JOY factor in a classroom. It mentions the thrill of having a mystery box or activity. Something hidden in a wrapped box, like a present, and reminds the teacher to build excitement around the object inside (could be a still life, landscape, carving etc.), saying 'I can't wait to show you....' or "ouch it bit me', tempting them, building suspense and by the time they show it, they can hardly wait to see!

The book concludes with, "Artists, athletes, musicians, surgeons, and performers of a thousand other varieties achieve greatness only by their attention to the details of their technique....A focus on technique and on its constant refinement is also the path to excellence for teachers....Too many ideas, even good ones, go bad when they become an end and not a means."

This was a great book for a book study. There are many things I would like to implement in my classroom, and it was a good reinforcement to the things I already do. I know that  I will be teaching many of the strategies to future student teachers.



Tuesday, March 6, 2012

These streets will make you feel brand new, big lights will inspire you.

New York was incredible.

It was the most memorable 'leap-day-trip' and I will never forget it. 

As a kid, I would go away to church camp every summer around the ages of about 12-15. At camp, I was able to immerse myself in amazingly spiritual things.

Beyond that, I found myself having incredible relationships, building a language with my peers that I could never imagine with my school friends.

 At the end of the week, I would be so emotionally drained and so exhausted that I would get home and for a few weeks, it never failed, I would enter into a sort of depression. Even though I knew that I would always be able to look forward to camp again the next year....it would never be like THAT camp. And after all of the build up, all the excitement of being away from home, around cute boys, it was such a disappointment that it was all over.

I just got back from New York City.

And it was my very first time. It made me feel like a kid again.

And I can honestly say that no trip will ever be like THAT NYC trip.

I had never really thought New York was my top fantasy destination, but when Josie emailed asking if I wanted to go, and nothing was holding me back.....the pressure inside started building.

The excitement and anticipation for this trip meant that for months, I would get this tense elated tightness in my chest, followed by an inner (and sometimes audible) squeal, usually accompanied by hand flapping and a perma-smile.

It was my early-onset-NYC-turrets.

It was an instant, spontaneous nervous twitch if the thought of going to New York popped into my head.

The 'turrets' started months ago....and continued all the way through the trip. That excited nervous tension inside, even while we were walking in the pouring rain a thousand blocks with our rolling suitcases and umbrellas to our hostel after the cab driver did not know where to go, I got that same squeal and huge smile because we were in 'NEW YORK!'

On Sunday night, after only being home for a few hours....it hit me. The trip was over. As good as my own bed would feel (and my feet were incredibly happy to have my boots off), there was nothing left to squeal and hand flap about....the buildup, the actual spiritual adventure is over and now the 'camp depression' was setting in....TIMES A MILLION.

I know there will be more trips to plan, and anticipate...but there was something so special about this trip. I haven't really been on any art trips since college, and all of those were with a large group, so the fact that I was bummin' with one other gal made the experience so much more visceral, more real, more intimate.

It was so much more magical than I ever thought....

I'm pretty sure that I need to go back every year...now that I know it is there.....and how amazing it is....I won't be able to stay away.

 I could go on and on about my experiences (did I mention that I saw the Starry Night?!), it was seriously on of my favorite trips ever. I'm feeling depressed, but also inspired.


We made lists of all the places we were going to try to go each day. It was a whirlwind.
We saw lots of really cute dogs around the city.

Here is Josie meeting Eric Fischl. Wow. Her panel presentation was at the exact same moment that I got my award. So we didn't get to hear each other speak.
Giving my award speech.

Yarn bomb!

Went to see the Brooklyn bridge on the foggiest day of the year. Now I have to go back!



A few minutes at ground zero was more than enough for me......

LOVED the Lomography store!! I bought a spinner 360 camera. Can't wait to develop the prints!



Oh New York!


Here is the eccentric Chuck Close. I think he is actually a wizard trying to pass for a muggle (maybe Dumbledore?)
Ah Ben Franklin!





And that it folks! I really thought I would take more photos, but we walked so much that it was a pain to carry around all of my gear. And it rained almost the whole time I was there and it was impossible to operate a camera and an umbrella.

Thanks for reading.

Tuesday, February 28, 2012

NO SLEEP 'TILL BROOKLYNN

In just a few short hours I will be on my way to the National Convention in New York City!!
It will be my first time in the Big Apple and I am ecstatic!!

I'm traveling with this lovely lady, Josie. She used to live in NYC, so I feel really safe with her navigating the trip. 

Tonight I am staying with a friend near the airport, and then I'm off to the big city early in the morning.

 I am so nervous....I am trying to pack really light (like only a carry-on and a camera bag) since we are staying at the Booklynn New York Loft Hostel.

I've never stayed in a hostel before, so I am nervous about what to expect.

I just keep telling myself, that if I forget something, I can always try to buy a new one when I get there.

Sadly, I'm only taking my Nikon D5000....as much as I really want to take my new high def. video camera (that I have yet to use!), and my Holga, and my Instax Wide...

I have to be realistic about what I will want to carry around every single second of the trip. I won't want to leave all that stuff in a trunk back at the hostel....so I will just take one camera, luckily it does great video if I need it.

I'm also nervous about my phone going dead every day....since I probably won't be able to charge it, I can't be sure that I will have a reliable phone/video camera in it for the trip. 

Okay, now I just need to focus on all the amazing food and sites that I am about to experience. It is going to be amazing!!!




Saturday, February 18, 2012

Teach Like a Champion

This week, I found a quote from a book I am reading for my professional development plan at school.

Why is it that the best coaches often rise from the ranks of the almost- or not-so-great athletes, while the most gifted athletes rarely make the best coaches? Why is it that brilliant and sophisticated actors can't help others do something similar and are so often at a loss to describe how they do what they do? Meanwhile, unheralded thespians manage to unlock wold-class talent in others?


One cause may be this: superstars often don't have to pay meticulous attention to the what's-next and how-to of each step. The very thing that makes them brilliant, an intuitive and lightning-quick understanding of how to handle a given problem on the stage or the court or the field, keeps the most talented from recognizing how the rest of us, for whom the intuition does not come quick as silver, learn. The rest of us, who cannot see it once and then do it ourselves beginning to end, are more likely to take complex tasks and break them down into manageable steps. We move piecemeal toward mastery and need to remind ourselves over and over what step comes next. (Lemov p. 77)

The book is "Teach Like a Champion" by Doug Lemov the managing director of Uncommon Schools.

Whenever I am carrying the book around school, in an attempt to get some reading done (yeah, right), I'm always a little embarrassed of the book because the fact that I am reading it makes me feel pretentious....but so far the book has been a handy tool....with its '49 techniques to help put students on a path to college', it has given a name to many of the strategies that I already use and given some serious food for thought on ones that I should implement and don't.

For instance, I rarely use any questioning techniques in my classroom. The majority of what I do is performance based. I preform, the students observe and follow suit. When I say that I perform, I mean that I put on a real tap dance, a horse and pony show, complete with special voices, and jokes. I jump through hoops and I overly exaggerate the stories to emphasize my main points.

I model, illustrate and demonstrate and the students follow my lead, step-by-step.....adding in a bit of 'kid-flair' here-and-there making each artwork their own. Many of the materials we use in art require this sort of set-up...especially with 11 classes of kindergarten, I get into the same routine day-after-day.

Often, questioning opens the kindergarten classroom into a free-for-all of 'One time my kitten.....' or 'I'm a parent pick-up' or......leaving my questions floating in the breeze, while the classroom spins into a dead zone where neither learning nor anything productive is happening as I wait patiently for the student who raised their hand is stumbling through some mundane, off-subject tale with no ending.

Clearly many of the techniques in the book are intended for students aged 10 and up....most likely middle school.

But this book gives suggestions for using questioning in a very important way. It explains how to 'hold out for all the way' and require 'right is right'....making sure students answer correctly, instead of me settling for a half-truth in order to move on to the next step or the next question. I have already implemented this. Whenever a student gets an answer wrong, or they say 'I don't know,' I call on on another student, and then return to the one who was initially wrong and have them repeat the right answer. I've started implementing a rapid-fire questioning game at the end of art, cold calling some students, something I rarely did before this year.

Two other techniques including 'stretch-it' (which tests whether or not students know why the answer is what it is) and 'cold call' (you want everyone to pay attention so you call on anyone, even those who do not have their hand in the air.....not just as a classroom management technique, but because you genuinely want everyone to get it right, and know why they answered the way they did).

One day, while looking at a very famous woodblock The Great Wave by the Japanese artist Hokusai, I asked a girl (who wasn't paying attention), "Jane, what do you see?" ......Silence. I waited. 'Jane, what do you see in this painting, what do you think it is about?".....Silence......"I don't know."......"You don't know? Well, look at it? I've already said what the title is....and other students have suggested what they see....just tell me something that you see?" (I pushed her, and she closed up. I was getting frustrated)

UGH!! Fatal flaw. I should've had someone else answer and then gone back and had her repeat what they said. I was frustrated with a little 1st grader giving up...so I was grasping for something....and coming up short.

As the day went on, I made a really amazing discovery. After looking at about 4 or 5 of Hokusai's 36-Views of Mt. Fuji, I asked students about the Great Wave. Standard questions, what do you see? but when I asked the first few classes "What do you think the artist wanted you to feel when you look at this painting?" Many kids blurted out Happy! When I pushed for "Happy, why?" They couldn't answer so they quickly changed their answer to Sad!

Finally, after a few minutes of this...them struggling to find the right words....I would bring a student up to the smartboard screen. "Now, put yourself in the image....if you were part of the scene, if you were in the painting, where would you be?"

"On a boat...in the water..."

"Okay....if you were on a boat.....and you saw that big wave....how would you feel?"


"Terrified. Afraid. Scared."


Okay!! Now we are getting somewhere. An aha! moment!!


I would bring up a couple more student to experience the great wave hovering over them. And I would ask additional questions like "Why would you be afraid?" "Would you even be thinking about the mountain if you saw such a big wave?"


When looking at and evaluating artwork, I know that I need to implement better questioning skills. That is my goal this year in the classroom. I really want to improve my questioning skills so that students are really LEARNING and not just COPYING what I do.

My life lately according to my iphone....

Most of these photos were taken with my hipstamatic app on my iphone. I still love it for taking photos. 























 I've got a busy next few weeks....so it is nice to find some time for blogging on this chilly Saturday morning.














Saturday, February 11, 2012

How to Style Long Hair: The Maiden Headband Wrap

 Recently, I discovered the most amazing hairstyle for long hair.

It can easily be done with any elastic headband.

I love it because it looks super fancy, bit it is really simple. It would be perfect for a date night, a work day, or even a relaxing day of shopping!!
 Step 1: Put an elastic headband on over top of your hair. Any stretchy headband will work.


TIP: make a little ‘puff’ on the back of your head by lifting up the top layer and back combing it a little bit before you put on the head band. I didn’t do that for this tutorial….but this style looks pretty when I remember to do that....I didn't do it today because I had my hair up all day at school, and I took these photos around 4:30 pm...

Step 2 Wrap a length of hair from the front of your face around and through the headband like this:
**This style would look pretty just having a few of the front strands wrapped around the headband.

Step 3: Repeat with the rest of your hair, wrapping small sections through the headband. So easy!

Step 4: When you get most of your hair wrapped, take the little ‘pony tail’ section and push it around and into the rolls. Tuck in any loose ends.  
 


Step 5: Pull down some sections from the front for face framing.


 You can wrap your head in this headband style one day or night (slightly damp is even better) and the next day you will have long ringlet curls!
 Go ahead and try it with all of your elastic headbands to find the one that is most comfortable for you!!

You could even accessorize with a little flower or bow tucked into one side for spring.

This post is also over on the Jolinda blog today. Go over and check out all the pretty stuff she has on her blog: http://www.teambabb.blogspot.com/ 

Thanks for reading!!